Jamais Jochim
Bio
I'm the guy who knows every last fact about Spider-man and if I don't I'll track it down. I love bad movies, enjoy table-top gaming, and probably would drive you crazy if you weren't ready for it.
Stories (299)
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How to Develoop B-Plots
Most writers have no problem with A-plots. Even pantsers have no problems with their main plots; they may wander, but they have a pretty good idea of where they are going. However, it's the B-plots, the secondary threads, that most writers have a problem with. The problem is pretty simple: They just aren't as pretty as the longer and more convoluted main plots. Some writers even forget that B-plots serve a pretty useful purpose. It is thus pretty important to include some secondary plots in your story.
By Jamais Jochimabout a year ago in Writers
Creating Your Very Own Multiple Personality Disorder
[First off, let's be very clear: This has little to do with the actual psychological disorder as currently recognized beyond the name. My sincerest apologies for any offense from those actually suffering from said disorder, but I needed a way to explain the situation succinctly, and unfortunately this was the easiest. However, as shall be readily apparent there are enough similarities to warrant its use.]
By Jamais Jochimabout a year ago in Writers
How Simple Can a Villain Be?
The antagonist of a story is arguably the most important character. Few characters help define the theme as well as the antagonist, and an antagonist that doesn't challenge the protagonist is just weak; there is little wonder why so much care goes into defining the antagonist. However, sometimes you want to use a simple antagonist; sometimes using a well-developed villain just doesn't work; sometimes you want to have a villain that's just an elemental force of nature rather than something that has been fully developed. There are some issues that you need to consider.
By Jamais Jochimabout a year ago in Writers
Dealing With Writer's Block
Every writer has to deal with writer's block at some time. This is that moment when you just can't focus on the story when you've run out of steam, when you look at the screen and nothing appears on it; these moments are the ones that every writer dreads. While there are many causes, there are some simple ways to deal with them and get back to writing.
By Jamais Jochimabout a year ago in Writers
Building a Magic System, Part II
Why You Need a Master You may not need someone to gain your powers, but you need someone to help you get better at using them. You can be a student or an apprentice, or even have a spirit guide; you just need someone to show you how to use your abilities. While there are some really great themes attached to this (membership, corruption, nostalgia), the important part from your perspective is that it gives you a way to explain your magic system or just develop some sort of teacher/student relationship; it can even be used to seduce the mage down a particular path. In essence, it's a great way to deal with some exposition and/or develop the character, as well as possibly throw some conflict into the situation.
By Jamais Jochimabout a year ago in Writers
Building A Magic System, Part I
Magic is one of the biggest problems that a lot of writers deal with. The problem is that there seems to be a lot of moving parts to any decent magic system and it can be hard to figure out all of the parts. Worse, there needs to be some allowing for societal issues: If magic existed, how would it shape society as a whole? It would make ladies' night a whole lot more interesting if the girls could get together to summon demons and throw hexes, wouldn't it? Just imagine which sports would be popular if the athletes could cast spells or use magical equipment.
By Jamais Jochimabout a year ago in Writers
How to Write a Short Horror Story
Writing a short story can be horrible enough by itself, but making it a horror short story adds all sorts of additional challenges. With most short stories, the writer can usually get in and out, sometimes just get away with making a point; with a horror story it needs to shock the person or at least unnerve them: The writer needs to build an atmosphere with as few words as possible, and this is one of the biggest problems facing horror writing. Fortunately, it's not that hard.
By Jamais Jochimabout a year ago in Writers
Dealing With Heroes Without Villains
In far too many stories, the conflict too often comes down to the hero versus the villain. It's hit the point that stories where the opponent is anything but another entity have virtually disappeared; "conflict" is defined solely by who the hero defeats and all other sources of conflict seem to have disappeared, such as conflicts versus nature, or society, or even self. Even when the true opponent is decidedly non-physical and abstract, such as a hero facing a personal crisis, there is some sort of physical avatar of the problem.
By Jamais Jochimabout a year ago in Writers
Each Scene is a Play
Writing scenes is one of the worst parts of writing. The scene is the building block of a story; the story is what happens when you string a number of them together. However, writing each individual scene can be difficult. The problem is breaking the scene down even further so that you can write it. Fortunately, this is not that hard to do.
By Jamais Jochimabout a year ago in Writers
How to be a Scammer's Least Favorite Person
When it comes to self-publishing there are a wide variety of different scams and avoiding them can be difficult Complicating the issue is that there are a lot of people who figure that because there is a boom in self-publishing, they should cash in on the trend; this has led a lot of people who think their business management skills would be great for self-publishers as well as those who hope to parlay their experience into an actual business. This translates to having a lot of people who actively seek to separate self-publishers and their money, those who simply don't care, and those with the best intentions.
By Jamais Jochimabout a year ago in Writers
The Nom de Plume and Its Issues
For some writers, there's the problem of whether or not to use a pen name. This decision should not be taken lightly given the possible ramifications on the person's writing career. While there are some good reasons for establishing and maintaining a nm de plume, writers need to seriously debate if they will use one or not, and then whether or not to drop it at some point.
By Jamais Jochimabout a year ago in Writers
