๐ฑ๐๐ธ๐ฝ๐ถ๐ธ๐ฝ๐ถ ๐ป๐ธ๐ถ๐ท๐ ๐ฑ๐ฐ๐ฒ๐บ ๐๐พ ๐ป๐ธ๐ต๐ดย
Auditing Self through Muse

๐ฑ๐๐ธ๐ฝ๐ถ๐ธ๐ฝ๐ถ ๐ป๐ธ๐ถ๐ท๐ ๐ฑ๐ฐ๐ฒ๐บ ๐๐พ ๐ป๐ธ๐ต๐ดย
๐ธ๐๐๐ ๐๐ข๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ข ๐๐๐๐ ๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ย
๐ฐ๐ ๐๐๐๐๐ข-๐๐๐๐๐ข ๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐, ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐
๐พ! ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐, ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ข ๐๐ ๐๐๐ ๐๐ ๐ย
๐ธ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐; ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐ข ๐๐๐๐ ๐ย
๐พ! ๐ป๐๐๐! ๐๐ ๐๐๐๐,ย
๐ฐ ๐๐๐๐๐๐๐ ๐๐๐๐, ๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐, ๐ฐ๐๐ ,๐๐ ๐๐ , ๐๐ ๐๐๐-๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ข, ๐๐๐๐ ๐๐๐ ๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐ : ๐ธ ๐ ๐๐ ๐๐๐๐
๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ย
๐ต๐๐ ๐๐๐๐๐๐,ย ๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐,
๐ฐ ๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐, ๐ฐ๐๐ ๐๐ย ๐๐๐๐๐๐๐๐๐๐๐๐๐ขโ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐
๐๐๐๐๐๐๐, ๐๐ข ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐โ๐ ๐๐ ๐ ๐ ๐๐๐๐, ๐๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐ข ๐๐
๐๐๐๐๐๐ข, ๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐ข๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐โ๐ ๐๐ ๐ ๐๐๐๐๐๐๐ ๐๐ ๐ ๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐ข ๐๐๐๐
๐๐ ๐๐๐๐,ย ๐๐ข ๐๐๐๐๐, ๐๐๐๐ย ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐๐๐ ๐๐โ๐ ๐๐ ๐ ๐๐๐๐๐๐๐๐โ ๐๐๐๐ย
๐ฐ๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐, ๐ ๐๐๐ ๐ธ ๐๐๐๐ ๐๐ ๐๐๐ ๐๐, ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ข ๐๐๐๐ โ๐๐๐๐ โ๐๐๐๐๐๐ข ๐ ๐๐๐๐๐?!
๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐ข, ๐๐ ๐๐๐๐๐๐, ๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ข ๐๐๐๐ย
๐ฐ๐๐, ๐๐ ๐๐, ๐๐๐๐ ๐๐๐ ๐๐ ๐๐ ๐ ๐๐๐๐, ๐๐ ๐๐ ๐๐๐๐ข ๐๐๐๐, ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ก๐๐๐๐ ๐๐๐๐๐
๐ฑ๐๐, ๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐, ๐๐๐ ๐๐๐๐ ๐๐๐ข ๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐ท๐๐๐๐๐ข, ๐ธ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐
๐๐๐๐๐ข๐๐๐๐, ๐๐ ๐๐ ๐๐, ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ , ๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐.
๐๐๐ ๐๐๐๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ข ๐๐โ๐ ๐๐๐๐๐, ๐๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐ ๐๐ข๐๐๐ ๐๐๐๐๐๐โฆ
๐๐ ๐๐๐๐, ๐ธ ๐๐๐๐ ๐๐ โฆ.
๐ฐ๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐ ๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐ โ๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐, ๐ ๐๐๐ ๐ข๐๐ ๐๐๐ข: ๐ธ ๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐๐...
๐๐๐, ๐ธ๐๐๐ ๐๐๐๐๐๐๐ โ๐๐๐๐ ๐ ๐๐๐๐, ๐๐ข ๐๐๐๐๐๐๐ ๐ ๐๐ ๐๐๐๐๐; ๐ฐ๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐๐๐, ๐ธ ๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐ข๐๐๐๐๐ !
๐ฑ๐๐ ๐๐๐๐ ๐ ๐๐, ๐ ๐๐๐ ๐ธ ๐ ๐๐ ๐ข๐๐๐๐, ๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ย !
๐ฒ๐๐๐๐๐๐๐๐ข ๐๐, ๐๐๐๐ข ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ,
๐ฐ๐๐ ๐๐๐๐ขโ๐ ๐๐๐ ๐๐๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐๐๐, ๐๐๐ ๐๐ ๐๐๐๐๐๐, ๐๐๐๐ ๐ ๐๐๐๐ ๐ธ ๐ ๐๐ ๐๐๐๐๐๐๐๐ข ๐๐๐๐๐ ๐
๐ฝ๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐ข, ๐๐ข ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐, ๐ ๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐ข, ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ข ๐๐๐ ๐๐๐๐ย
๐๐๐, ๐๐๐๐ ๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐, ๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐ ๐๐๐ ๐๐๐ ๐๐ ๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ข ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐โ๐๐ ๐๐๐๐๐๐๐๐ข ๐๐๐๐๐โฆ
๐พ! ๐ป๐ธ๐ต๐ด โฆ๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐
๐๐๐๐, ๐๐๐๐ ๐๐ ๐๐ ๐๐๐ ๐๐ ๐๐๐ก ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐
๐ต๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐, ๐๐๐๐ ๐๐ ๐๐๐๐๐๐, ๐๐๐๐๐ข ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ข ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ โฆ.
๐ฐ๐๐ ๐๐ ๐๐๐ ๐๐ ๐๐๐ ๐๐ย ๐๐ ๐๐๐๐๐, ๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐
๐พ๐๐ ๐๐๐๐ ๐๐๐๐ข ๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐, ๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ โ๐๐ ๐๐ โ๐๐ ๐๐ โ๐๐๐๐๐๐๐ข ๐๐๐๐๐๐.โ
๐๐ ๐๐๐๐ ,ย ๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐ย ๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐ข ๐๐๐๐,
๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ โ๐๐๐๐ ๐๐๐๐๐๐๐๐โ๐ ๐๐๐
๐๐ ๐๐๐๐ ๐๐ , ๐๐๐๐๐๐๐๐๐๐, ๐๐๐ ๐ ๐๐๐ ๐๐๐ ๐๐๐ ๐๐ก๐๐๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐
๐ฐ๐๐ ๐๐๐ ๐๐๐๐๐ข ๐๐๐๐๐ ๐๐๐ ย ๐๐๐ข ๐๐๐๐๐ ๐๐๐ ๐๐๐ย ; ๐๐๐ ๐๐๐๐๐ ๐๐ ๐ ๐๐ ๐๐๐ โ๐๐๐๐๐๐๐ขโ๐๐๐๐ ๐๐๐ ๐๐๐๐ โ
๐ฟ๐๐๐๐๐๐ ๐๐๐๐๐, ๐๐ข ๐๐ธ๐ป๐ป,ย ๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐๐ ๐๐ ๐๐ข ๐๐๐๐๐๐๐๐๐๐ ,๐๐๐๐- ๐๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐ โ๐ ๐๐๐ ๐๐๐๐๐ ๐๐๐!
๐๐๐๐๐๐๐๐๐ข ๐๐๐๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐; ๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ข, ๐ธ ๐ ๐๐ ๐๐๐๐๐๐๐๐๐ข ๐๐๐๐๐๐๐๐๐๐
๐ฒ๐๐๐๐๐๐๐๐ข, ๐๐๐๐ ๐๐ธ๐ป๐ป โ๐ ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐, ๐๐ ๐๐๐๐๐๐๐ย ๐๐ข ๐๐๐๐๐๐โ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐๐ ๐๐๐๐ as if ๐๐๐๐ ๐๐๐๐๐๐ o๐๐๐๐๐ed ๐๐๐๐๐๐ to be ๐๐๐๐ ๐๐๐ ๐๐๐๐๐ โฆ
๐๐๐๐! ๐๐๐๐ ๐๐ ๐ ๐๐๐๐ ๐ ๐ ๐๐ก๐๐๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐๐๐๐๐๐
๐๐๐ขโ๐๐๐๐๐๐๐๐๐ ๐๐, ๐พ!ย ๐ป๐๐๐, ๐๐๐๐ ๐ ๐๐ธ๐๐ด ๐๐๐๐๐๐ ๐๐?ย
๐พ๐ ๐ ๐๐๐ ๐ ๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐๐ ๐๐๐๐๐๐โ๐ ๐๐๐๐๐ขโ ๐ฟ๐๐ข๐ ๐ ๐๐๐๐๐ข ๐๐๐๐๐ ๐๐ ๐๐๐๐๐ข ๐พ๐๐๐๐ย
๐ธ๐ ๐๐๐๐ ๐๐๐๐ ?ย
๐๐๐, ย ๐๐โ๐ ๐๐๐๐ โ๐๐ ๐๐๐ ๐๐๐๐, ๐ ๐๐๐ ๐๐โ๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐๐๐ข, ๐๐๐๐ ๐๐๐๐๐ ๐ ๐๐๐๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐๐ย
๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ข ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐๐, ๐๐๐ ๐๐ ๐๐๐๐๐ข ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐; ๐๐ ๐๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐, ๐๐๐๐๐๐๐ข ๐๐๐ ๐๐๐๐โฆ ๐๐๐๐ ๐๐๐๐๐ ?!
๐ฐ๐๐ ๐๐๐๐, ๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐๐๐๐ ๐๐๐๐๐๐ ๐ ๐๐ ๐๐ ๐๐๐๐๐; ๐๐๐๐๐๐๐ข ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐,
๐พ๐๐ ๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐ข ๐๐๐๐๐๐๐...
๐ธ๐ ๐๐๐ ๐๐๐๐๐ย ๐๐๐๐๐๐๐๐๐๐๐, ๐๐ ๐๐๐๐ ๐๐, ๐๐๐๐๐๐๐ ๐๐, ๐๐๐ ๐ข๐๐ ๐๐๐๐๐๐๐ โ๐๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐๐ ย
๐๐๐ , ๐๐๐๐๐๐๐ ๐๐๐๐ ๐๐ก๐๐๐๐๐๐๐ ๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐โ๐ ๐๐๐๐๐ ๐๐๐๐๐๐, ๐๐๐ ๐๐๐๐๐๐๐๐๐, ๐ธ ๐๐๐๐๐ ๐๐ ๐๐๐ ๐๐ข ๐ฑ๐พ๐๐ฝ ....
๐ฟ๐๐๐๐๐๐ ๐๐๐๐ ๐ ๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐ธ ๐ ๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐ ๐๐๐๐๐๐๐ ๐๐๐๐๐, ๐๐๐๐๐ ๐๐๐๐๐๐๐
๐๐๐, ๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐ ๐๐ ๐๐๐๐๐ ,๐๐ข ๐๐๐๐๐, ๐๐๐๐๐ ๐๐ , ๐๐๐๐๐๐ข, ๐๐๐๐๐๐๐๐๐๐!
๐๐๐ ๐๐๐๐ ๐๐๐๐๐๐๐ข ๐ ๐๐๐๐ ๐๐๐๐๐๐๐๐๐๐ข ๐๐๐๐๐๐๐๐๐๐๐ ๐๐ ๐๐๐๐ ๐๐๐๐๐ ๐๐ ๐๐๐๐๐๐๐, ๐๐๐๐๐๐๐ ๐๐ ๐๐๐ข โย ๐ฒ๐๐๐, ๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐ ๐๐๐๐๐ ๐๐๐ ๐๐๐๐๐๐ ๐๐๐ ๐๐๐๐ ๐๐๐ ๐ข๐๐๐ ๐๐๐๐๐ข ๐ ๐๐๐ ๐๐ ๐๐๐ ๐๐๐๐ โ๐๐๐๐๐ ๐๐๐๐, ๐๐๐๐๐ข ๐๐!
ยฉ โ๏ธ ๐ผ๐๐๐๐ ๐ถ๐๐๐๐๐ ๐ผ๐๐๐๐ ๐ธ๐ฝ๐๐ , ๐ธ0๐ธ๐ป
Preceding poem is a choice model of my poetry, to which, I shall add my introspective analysis ( my two cent โpoint of view)
I undertook the endeavor of scribing poetry to make myself familiar with my own thoughts and also aid the readers to equally fit into its meaning as it occurred to them.
I am of the firm belief that many matters when versed aright, can assist in providing pathways of communication; without losing what is being said as precious leavings. If you notice intently I have abstained from period building โthat is, presenting a single idea without full stops. Thatโs because I felt that the unity of thought required me to use semicolon and colons to piece in what I was thinking.
While composing this poem the object of attention(life) appeared naturally, but it was also suitably written to the clear ideas thus acquired. Obviously, the words and phrases related in such a sense were discharged with what they served to show in effectโโbringing life back to life. โ
In this poem words as expressive thoughts have conveyed multifarious ideas and many meanings. Some words analogously paralleled each other in the following words such as : topsy turvey, untenable breaches. They adduced a bondage that developed as a reasoning ,no doubt, for the preservation of why I was looking at โfate,โ with such a concern. I used many figures of thought as ornaments to orchestrate and impart special expressions. For example:
O! Look! ย
A subdued pang , a dead beat to an impulse, still lingers onย
And ,as of , in cut-throat melancholy, none the worse, to that : I was found!
Herein โ๏ธ I tried to throw a towel over the hideousness with which many stately administrators could govern their people by creating circumstances wherein the
surest of us all could feel nothing more than nincompoops. One such thing could be the recent political upheavals around the globe that depicts: vehemence of various injustices , peace without securities, and wars without definite Allies.
While reading the poem the reader might feel aroused to what might come next.
To me, naked thoughts when properly dressed becomes poetry.
My poem bestows the requisite rhetoric to make deeper courtesies to the significant thoughts that emerge in my mind.
Muse is meant to be more than a superficial scrimmage over sense and sensibilities. This is the chief reason I preferred to use a free verseโas my poetic form of expression. The marvel of uncommon strikings of imagery (through words,) is,indeed, glorious.
Herein, the prosaic effort lifts itself through its own imagined suffering.
An inflexible mind might reject such a suffused expression as some askewed structure or form.
Meaning can be lost in structure unless the eye speaks to an ear effectively. Also, if the heart insists on putting its own meaning upon first inspections, then the reader may embark upon a dangerous crusade to where words could ring a different tone.
The poem selected as a precept of expression reflects the following:
Cohorts of present participles ( โingโforms of verbs) are conjoined with other alongside actionable subordinating verbs.
This method may seem to be projecting appalling directness but by no means intends to be unusually absurd.
The poem projects surrealistic nostalgia that may not appeal with a good many readers.
Little pieces build together with phrases and clauses, both buried hand in hand, can seem like stand alone entities, yet such an unmade fashion upends the truest essence of a soulful exposition.
Rhyme and Rhythm: The scheme is proportionate yet it
seems to be moving, up and down all over around, with a sudden impulsiveness ,as though, abruptly holding moldy secrets . That may well be seem like errors renouncing on grave mistakes with meanings suspended from the beginning to the end. In that sense the whole piece could feel enigmatic. The poem stands without glory, possibly at the verge of imagined melancholy. With that said, I have risked every ray of light; in great aims , thoroughly. But, in small, my earnestness reveals an invincible resolution to bear โ awe,โ as the most unfaltering practice.
I speak meaningfully to the phrases that reflect some originality. Talk about conjunctions periods commas and colons โฆ.
The melancholic ๐ emotion may not be relatable to the immediate effect of observationโฆ
A Lot of abstraction breaks convention, though. But beyond whatโs being portrayed, thereโs something else that stands within reach โthe unifying theme of the versificationโฆ. Thereโs a positive ending
Soliloquy Synopsis ย :
Itโs shadowy and allegoric .. somewhat , a more generalized abstraction of life . There is, again , a confession that is very shocking; itโs mainly about the causes of the dubieties that have worked into my life โall along.ย
Perhaps , it exhibits the extreme sentiments ,and sketches out a cloudy illusion of events and incidents in a ย peculiar kind of way.
Towards the end of the poem, it dashes into a unifying theme of how fate and fortune lead us into a transcendence which is timelessly eternal . Not else where achieved , it bothers and teases the way life probably cheats .ย
The poem captures the brooding spirit thatย courageously seeks hope,
and it also delineates a double attempt to exhibit the contrasting parallels of joys and sorrows, failures and successes which cudgel as elements in shaping life.
In a steady sense, this poem ingenuously ย summoned me to dig deep โapparently, upon lifeโs incidental contexts.ย
The description speaks up commandingly without a hitch!ย
... And the rest thatโs unsaid could be left to those who beseech their own form through this offering. I hope this goes along in giving the reader a sense of connection to follow theirย own โtruth reveals.
In short and at length, throughput, I had depicted life as deceptive and presented material that makes us look like a motley fool while handling deceit.
And the spice of injustice which quite certainly reveals in the end turns out to be quite ironic... as if, echoingโWhat is alive is seldom truly perfect. And to attain perfection one must dig graves or write epitaphs to understand the good in the good and bad in the bad.
Smooth sweltering velvety experience expressed smoothly
Such scavenging unearths the smooth deficiencies constituting the makings of destinies, and in one sense of the subject โreveals and amounts to this:
Life comes with no warrants of excise and no guarantees of analysis as โit is wholly surprising. It exists in the inter-twists of an extraordinarily different form of amalgam which represents this legitโย premise :ย
Whatโs construed as a cognitive enterprise is actually an adjudication of perspective to life!
All experiences that life bestows upon us as teachings may or may not assist us in achieving itโs full intents.
For Good or for bad , andย for better or worse, someย instances, seemingly alter the very essence of our presence;ย of living as a โbeing,โ in itself.ย
Signing off as :
A rhymester with an authentic risible view โ call me a dallier dilettante or a librettist ! MG
About the Creator
Madhu Goteti
The thrums in the strums and the delights in the humdrum of life have always fascinated me.
Itโs that feast of reason and flow of soul; in all that I see and all that I shall behold!
I am an avid lover of art and philosophy!




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