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๐™ฑ๐š๐™ธ๐™ฝ๐™ถ๐™ธ๐™ฝ๐™ถ ๐™ป๐™ธ๐™ถ๐™ท๐šƒ ๐™ฑ๐™ฐ๐™ฒ๐™บ ๐šƒ๐™พ ๐™ป๐™ธ๐™ต๐™ดย 

Auditing Self through Muse

By Madhu Goteti Published 11 months ago โ€ข 8 min read

๐™ฑ๐š๐™ธ๐™ฝ๐™ถ๐™ธ๐™ฝ๐™ถ ๐™ป๐™ธ๐™ถ๐™ท๐šƒ ๐™ฑ๐™ฐ๐™ฒ๐™บ ๐šƒ๐™พ ๐™ป๐™ธ๐™ต๐™ดย 

๐™ธ๐š—๐š๐š˜ ๐š๐šข๐š’๐š—๐š ๐šŠ๐š›๐š–๐šœ ๐š˜๐š ๐š๐šŠ๐š๐šŽ ๐š–๐šข ๐š–๐š’๐šŽ๐š— ๐š ๐šŠ๐šœ ๐šœ๐š๐šŠ๐š๐šŽ๐š ๐šœ๐š๐š’๐š•๐š•๐š‹๐š˜๐š›๐š—ย 

๐™ฐ๐šœ ๐š๐š˜๐š™๐šœ๐šข-๐š๐šž๐š›๐šŸ๐šข ๐š˜๐šŸ๐šŽ๐š› ๐š๐š ๐š’๐šœ๐š๐šŽ๐š ๐š‹๐š›๐š˜๐š ๐šœ, ๐š’๐š—๐š•๐šŠ๐š’๐š ๐šž๐š™๐š˜๐š— ๐š๐š‘๐š˜๐šœ๐šŽ ๐š–๐šŠ๐š“๐šŽ๐šœ๐š๐š’๐šŒ ๐šŒ๐š›๐š˜๐š ๐š—๐šœ

๐™พ! ๐š‚๐šž๐šŒ๐š‘ ๐šœ๐š๐šž๐š๐š ๐š‘๐šž๐š—๐š ๐šž๐š™ ๐š’๐š— ๐šŠ๐š’๐š›, ๐šš๐šž๐š’๐š๐šŽ ๐šŒ๐š˜๐š—๐š๐š›๐šŠ๐š›๐šข ๐š˜๐š— ๐š’๐š๐šœ ๐š˜๐š ๐š—ย 

๐™ธ๐š—๐š๐š˜ ๐šŠ๐š’๐š›๐š’๐š—๐š๐šœ ๐š™๐šž๐š ๐š๐š˜๐š›๐š๐š‘ ๐šŠ๐šœ ๐šž๐š—๐š๐šŽ๐š—๐šŠ๐š‹๐š•๐šŽ ๐š‹๐š›๐šŽ๐šŠ๐šŒ๐š‘๐šŽ๐šœ; ๐š„๐š—๐š๐š˜ ๐š›๐š’๐šœ๐š’๐š—๐š๐šœ ๐š’๐š—๐šŽ๐š๐š๐šŠ๐š‹๐š•๐šŽ ๐šœ๐š˜ ๐š๐šŽ๐š–๐š™๐šŽ๐šœ๐š๐šž๐š˜๐šž๐šœ๐š•๐šข ๐š๐š›๐š˜๐š ๐š—ย 

๐™พ! ๐™ป๐š˜๐š˜๐š”! ๐šƒ๐š˜ ๐š๐š‘๐šŠ๐š,ย 

๐™ฐ ๐šœ๐šž๐š‹๐š๐šž๐šŽ๐š ๐š™๐šŠ๐š—๐š, ๐šŠ ๐š๐šŽ๐šŠ๐š ๐š‹๐šŽ๐šŠ๐š ๐š๐š˜ ๐šŠ๐š— ๐š’๐š–๐š™๐šž๐š•๐šœ๐šŽ, ๐šœ๐š๐š’๐š•๐š• ๐š•๐š’๐š—๐š๐šŽ๐š›๐šœ ๐š˜๐š—, ๐™ฐ๐š—๐š ,๐šŠ๐šœ ๐š˜๐š , ๐š’๐š— ๐šŒ๐šž๐š-๐š๐š‘๐š›๐š˜๐šŠ๐š ๐š–๐šŽ๐š•๐šŠ๐š—๐šŒ๐š‘๐š˜๐š•๐šข, ๐š—๐š˜๐š—๐šŽ ๐š๐š‘๐šŽ ๐š ๐š˜๐š›๐šœ๐šŽ, ๐š๐š˜๐š› ๐š๐š‘๐šŠ๐š : ๐™ธ ๐š ๐šŠ๐šœ ๐š‹๐š˜๐š›๐š—

๐šˆ๐šŽ๐š ๐šœ๐šŽ๐šŽ๐š๐š’๐š—๐š ๐š‹๐šŽ๐š—๐šŽ๐šŠ๐š๐š‘ ๐š๐š‘๐š˜๐šœ๐šŽ ๐šŒ๐š˜๐š—๐šœ๐š๐šŠ๐š—๐š ๐š๐š ๐š’๐šœ๐š๐šœ ๐šŠ ๐š‘๐šž๐š–๐š‹๐š•๐šŽ ๐š‘๐š˜๐š™๐šŽ ๐š‘๐šŠ๐š—๐š”๐šŽ๐š›๐šŽ๐š ๐š˜๐š—ย 

๐™ต๐š˜๐š› ๐š๐š‘๐š˜๐šž๐š๐š‘,ย ๐šŠ๐šœ ๐š’๐š— ๐š๐š‘๐šŽ ๐š‹๐š›๐š˜๐š”๐šŽ๐š—,

๐™ฐ ๐š ๐š›๐šŽ๐šŠ๐š๐š‘๐š’๐š—๐š ๐šŠ๐š›๐š›๐š˜๐š  ๐šŠ๐š๐š๐š›๐š˜๐š—๐š๐šœ ๐š’๐š๐šœ ๐š‘๐šŠ๐š›๐š›๐š˜๐š ๐šœ, ๐™ฐ๐š—๐š ๐šœ๐š˜ย ๐š๐š›๐š’๐š๐š‘๐š๐šŽ๐š—๐š’๐š—๐š๐š•๐šขโ€” ๐šŒ๐š˜๐š–๐šŽ๐šœ ๐šž๐š™ ๐š๐š˜๐š›๐š๐š’๐š—๐š ๐š˜๐š—

๐šƒ๐š‘๐šŽ๐š›๐šŽ๐š’๐š—, ๐š–๐šข ๐š๐šŽ๐šŽ๐š‹๐š•๐šŽ๐š› ๐šœ๐š™๐š’๐š›๐š’๐š ๐š•๐š’๐š๐š๐šœ ๐š˜๐š๐š ๐š’๐šโ€™๐šœ ๐š˜๐š ๐š— ๐š ๐š’๐š—๐š๐šœ, ๐š๐šŠ๐š๐š‘๐šŽ๐š›๐š’๐š—๐š ๐š‘๐š˜๐š™๐šŽ ๐š๐š˜ ๐šŒ๐šŠ๐š›๐š›๐šข ๐š˜๐š—

๐šƒ๐š‘๐šž๐šœ๐š•๐šข, ๐šŠ๐šœ ๐š๐š‘๐šŽ ๐š›๐šŠ๐š๐š’๐š—๐š ๐šข๐š˜๐š—๐š๐šŽ๐š› ๐šŽ๐šŒ๐š•๐š’๐š™๐šœ๐šŽ๐šœ ๐š’๐šโ€™๐šœ ๐š˜๐š ๐š— ๐šŸ๐š’๐š›๐š๐šž๐šŽ๐šœ ๐š๐š˜ ๐šŠ ๐š ๐š˜๐š›๐š•๐š ๐šœ๐š˜ ๐šœ๐šŒ๐šž๐š›๐š›๐š’๐š•๐š˜๐šž๐šœ๐š•๐šข ๐šœ๐š™๐šž๐š—

๐šƒ๐š˜ ๐š๐š‘๐šŠ๐š,ย ๐š–๐šข ๐š‘๐šŽ๐šŠ๐š›๐š, ๐š๐š›๐š˜๐š–ย ๐š๐šŽ๐šŠ๐š ๐š‹๐šŽ๐šŠ๐š ๐š๐š˜ ๐šŒ๐š˜๐š•๐š ๐š๐š•๐šŽ๐šŽ๐š๐šœ, ๐šœ๐šŽ๐šŽ๐š”๐šœ ๐š’๐šโ€™๐šœ ๐š˜๐š ๐š— ๐šŒ๐š˜๐š—๐š๐šŽ๐š—๐š๐šœโ€™ ๐šŒ๐šŠ๐š•๐š–ย 

๐™ฐ๐š—๐š ๐š๐š‘๐šŽ๐š›๐šŽ๐š˜๐š, ๐š๐š‘๐š’๐š—๐š”๐š’๐š—๐š, ๐š ๐š‘๐šŽ๐š— ๐™ธ ๐šœ๐š‘๐šž๐š ๐š’๐š ๐šŠ๐š•๐š• ๐šž๐š™, ๐š๐š‘๐šŽ ๐š‘๐šŽ๐šŠ๐š›๐š๐š‘ ๐šœ๐š‘๐šŠ๐š•๐š• ๐š๐š’๐š—๐šŠ๐š•๐š•๐šข ๐š๐šŽ๐šŽ๐š• โ€”๐š๐š‘๐šŠ๐š โ€”๐š๐šŽ๐šŠ๐š•๐š๐šข ๐š ๐šŠ๐š›๐š–๐š๐š‘?!

๐šƒ๐š‘๐šŽ๐š— ๐š๐š‘๐šŽ ๐š›๐šŽ๐š—๐š๐šŽ๐š›๐š’๐š—๐š ๐šœ๐š™๐šŽ๐šŽ๐šŒ๐š‘ ๐š•๐š’๐š๐š‘๐š๐šœ ๐šž๐š™ ๐š๐š‘๐šŽ ๐š๐šŠ๐šข, ๐šŠ๐šœ ๐š๐š‘๐š˜๐šž๐š๐š‘, ๐šŠ ๐š—๐šŽ๐š  ๐š–๐š˜๐š›๐š— ๐š‘๐šŠ๐šœ ๐š๐š˜๐š๐š๐šŽ๐š— ๐š๐š›๐šŽ๐šœ๐š‘๐š•๐šข ๐š‹๐š˜๐š›๐š—ย 

๐™ฐ๐š—๐š, ๐šŠ๐šœ ๐š’๐š, ๐šœ๐š‘๐š˜๐š ๐š’๐š—๐š ๐šž๐š™ ๐š’๐š— ๐š ๐š˜๐š›๐š๐šœ, ๐šŠ๐šœ ๐š’๐š ๐š๐šž๐š•๐šข ๐š๐š˜๐šŽ๐šœ, ๐š™๐šŽ๐š—๐š—๐š’๐š—๐š ๐š’๐š— ๐šŠ๐š•๐š• ๐š˜๐š๐š‘๐šŽ๐š› ๐š™๐šŠ๐š›๐šŠ๐š๐š˜๐šก๐š’๐šŒ๐šŠ๐š• ๐š๐š˜๐š›๐š–๐šœ

๐™ฑ๐šž๐š, ๐šŽ๐šŸ๐šŽ๐š— ๐š๐š‘๐š˜๐šž๐š๐š‘ ๐š๐š˜ ๐šœ๐š˜๐š–๐šŽ, ๐šŠ๐š•๐š• ๐š๐š‘๐š’๐šœ ๐š–๐šŠ๐šข ๐šœ๐šŽ๐šŽ๐š– ๐š•๐š’๐š”๐šŽ ๐šŠ ๐š™๐šŠ๐šœ๐šœ๐š’๐š—๐š ๐š๐š•๐šŠ๐šž๐š—๐š ๐™ท๐šŽ๐š›๐šŽ๐š‹๐šข, ๐™ธ ๐š๐š˜ ๐š๐šŠ๐š›๐šŽ ๐š๐š˜ ๐š‹๐šŽ๐šŠ๐š› ๐š ๐š‘๐šŠ๐š ๐š˜๐š๐š‘๐šŽ๐š›๐šœ ๐š‘๐šŠ๐šŸ๐šŽ ๐š‹๐š•๐šž๐š—๐š๐šŽ๐š›๐šŽ๐š ๐šž๐š™๐š˜๐š—

๐š„๐š—๐šœ๐šŠ๐šข๐šŠ๐š‹๐š•๐šŽ, ๐šŠ๐šœ ๐š’๐š ๐š’๐šœ, ๐š’๐š— ๐š๐š‘๐š’๐šœ ๐š๐š’๐šŸ๐šŽ๐š›๐šœ๐šŽ ๐š ๐š˜๐š›๐š•๐š ๐š˜๐š ๐šž๐š—๐šŽ๐šš๐šž๐šŠ๐š•๐šœ , ๐š๐š‘๐šŽ ๐šœ๐šŽ๐šŒ๐šž๐š•๐šŠ๐š› ๐š’๐š— ๐š–๐šŽ ๐š“๐šž๐šœ๐š ๐šŒ๐šŠ๐š›๐š›๐š’๐šŽ๐šœ ๐š˜๐š—.

๐šˆ๐šŽ๐š ๐š๐š‘๐šŽ๐š›๐šŽ๐šž๐š™๐š˜๐š—, ๐š๐š˜๐š› ๐š๐š‘๐š’๐šœ ๐šœ๐š’๐š•๐šŽ๐š—๐šŒ๐šŽ ๐š๐š˜ ๐š™๐š•๐šŠ๐šข ๐š’๐šโ€™๐šœ ๐š๐š’๐š›๐š๐šŽ, ๐š˜๐šŸ๐šŽ๐š› ๐šŠ๐š—๐š ๐šŠ๐š‹๐š˜๐šŸ๐šŽ, ๐š๐š‘๐š˜๐šœ๐šŽ ๐š๐šข๐š’๐š—๐š ๐š๐š›๐š˜๐šŠ๐š—๐šœโ€ฆ

๐šƒ๐š˜ ๐š๐š‘๐šŠ๐š, ๐™ธ ๐š–๐š˜๐šŸ๐šŽ ๐š˜๐š— โ€ฆ.

๐™ฐ๐š—๐š ๐š๐š˜ ๐š๐š‘๐šŠ๐š ๐š›๐š˜๐šŠ๐š› ๐šŠ๐šœ ๐š’๐š— ๐šŠ ๐šŸ๐š˜๐š ๐šŽ๐š ๐šŸ๐š˜๐š’๐šŒ๐šŽ ๐š๐š˜๐šž๐š‹๐š•๐š’๐š—๐š ๐šŠ๐š•๐š˜๐š—๐š โ€˜๐šƒ๐š’๐šœ ๐š€๐šž๐š’๐š๐šŽ ๐š›๐š’๐š๐š‘๐š, ๐š ๐š‘๐šŽ๐š— ๐šข๐š˜๐šž ๐šœ๐šŠ๐šข: ๐™ธ ๐š ๐šŠ๐šœ ๐š๐š›๐šŠ๐š—๐šœ๐š๐š˜๐š›๐š–๐šŽ๐š...

๐šˆ๐šŽ๐šœ, ๐™ธ๐š—๐š๐š˜ ๐šŠ๐š—๐š˜๐š๐š‘๐šŽ๐š› โ€”๐š’๐š—๐š๐š˜ ๐š ๐š‘๐š’๐šŒ๐š‘, ๐š–๐šข ๐šŽ๐šœ๐šœ๐šŽ๐š—๐šŒ๐šŽ ๐š ๐šŠ๐šœ ๐š๐šŠ๐š”๐šŽ๐š—; ๐™ฐ๐š—๐š ๐š•๐š’๐š”๐šŽ ๐šŠ ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐šŒ๐šŽ ๐š’๐š— ๐š๐š›๐šŠ๐š—๐šœ๐š’๐š๐š’๐š˜๐š—๐šœ, ๐™ธ ๐š ๐šŠ๐šœ ๐š•๐šŽ๐š๐š ๐š๐š˜ ๐š‹๐šข๐š๐š˜๐š—๐šŽ๐šœ !

๐™ฑ๐šž๐š ๐š๐š‘๐šŠ๐š ๐š ๐šŠ๐šœ, ๐š ๐š‘๐šŽ๐š— ๐™ธ ๐š ๐šŠ๐šœ ๐šข๐š˜๐šž๐š—๐š, ๐š ๐š’๐š๐š‘ ๐š’๐š—๐š—๐š˜๐šŒ๐šŽ๐š—๐šŒ๐šŽ ๐š•๐šŠ๐š’๐š— ๐š˜๐š— ๐šŒ๐š˜๐š๐š๐š’๐š—๐šœ ๐š๐š˜๐š› ๐š˜๐š๐š‘๐šŽ๐š›๐šœ ๐š๐š˜ ๐š–๐š˜๐šŒ๐š” ๐š˜๐š—ย !

๐™ฒ๐š›๐šž๐šŒ๐š’๐šŠ๐š•๐š•๐šข ๐šœ๐š˜, ๐š–๐šŠ๐š—๐šข ๐š›๐š˜๐šž๐š๐š‘ ๐š›๐šž๐š๐š๐š•๐šŽ๐š›๐šœ ๐š ๐šŽ๐š›๐šŽ ๐š๐š‘๐šŽ๐š— ๐šŒ๐šŠ๐š•๐š•๐šŽ๐š ๐šž๐š™๐š˜๐š— ,

๐™ฐ๐š—๐š ๐š๐š‘๐šŽ๐šขโ€”๐š ๐š’๐š๐š‘ ๐š๐š‘๐šŽ๐š’๐š› ๐š๐š ๐š˜ ๐š๐š˜๐š•๐š ๐š๐š˜๐š•๐š•๐š’๐šŽ๐šœ, ๐š๐šž๐š ๐šž๐š™ ๐š๐š›๐šŠ๐šŸ๐šŽ๐šœ, ๐š’๐š—๐š๐š˜ ๐š ๐š‘๐š’๐šŒ๐š‘ ๐™ธ ๐š ๐šŠ๐šœ ๐šŒ๐šŠ๐šœ๐šž๐šŠ๐š•๐š•๐šข ๐š๐š‘๐š›๐š˜๐š ๐š—

๐™ฝ๐š˜๐š ๐šœ๐š˜ ๐š–๐šž๐šŒ๐š‘ ๐šŠ๐šœ ๐š’๐š— ๐š›๐šŽ๐šŠ๐š•๐š’๐š๐šข, ๐š–๐šข ๐šŽ๐šœ๐šœ๐šŽ๐š—๐šŒ๐šŽ ๐š’๐š— ๐š™๐š›๐šŽ๐šœ๐šŽ๐š—๐šŒ๐šŽ, ๐š ๐š’๐š๐š‘ ๐š—๐š˜ ๐š๐š›๐šŠ๐šŒ๐šŽ๐šœ ๐š˜๐š ๐š๐š˜๐š›๐š–๐šŽ๐š›๐š•๐šข, ๐šœ๐šŽ๐šŽ๐š–๐šŽ๐š ๐š๐š˜๐š๐šŠ๐š•๐š•๐šข ๐šŠ๐š•๐š• ๐š๐š˜๐š—๐šŽย 

๐šˆ๐šŽ๐šœ, ๐š•๐š’๐š๐šŽ ๐š ๐š’๐š๐š‘ ๐š’๐š๐šœ ๐šž๐š™๐šœ ๐šŠ๐š—๐š ๐š๐š˜๐š ๐š—๐šœ, ๐š๐š’๐š ๐šœ๐šž๐š›๐š™๐š›๐š’๐šœ๐šŽ ๐š–๐šŽ ๐š ๐š’๐š๐š‘ ๐š’๐š๐šœ ๐š˜๐š ๐š— ๐š๐š’๐šŸ๐šž๐š•๐š๐š’๐š—๐š ๐š๐šž๐š›๐š—๐šœ ๐šƒ๐šŠ๐šŒ๐š’๐š๐š•๐šข ๐š๐šŽ๐šŠ๐š›๐š’๐š—๐š ๐šŠ๐š— ๐š’๐š–๐šŠ๐š๐šŽโ€”๐šœ๐š˜ ๐šŒ๐š˜๐š–๐š–๐š˜๐š—๐š•๐šข ๐š๐š˜๐šž๐š—๐šโ€ฆ

๐™พ! ๐™ป๐™ธ๐™ต๐™ด โ€ฆ๐š’๐š— ๐š–๐š’๐š•๐š ๐šœ๐š•๐šŽ๐šŽ๐š™๐šœ ๐šœ๐š๐š’๐š•๐š• ๐šŽ๐šŒ๐š‘๐š˜๐šŽ๐š ๐šŠ๐š•๐š˜๐š—๐š

๐šƒ๐š‘๐šŽ๐š—, ๐š๐š’๐š–๐šŽ ๐šŠ๐šœ ๐šœ๐š ๐š’๐š๐š ๐šŠ๐šœ ๐šœ๐š’๐šก ๐šœ๐šŒ๐š˜๐š›๐šŽ๐šœ ๐š๐š˜ ๐šœ๐šŽ๐šŸ๐šŽ๐š—๐šœ ๐šŠ๐š•๐šœ๐š˜ ๐š‹๐šž๐š๐š๐š’๐šŽ๐š ๐šŠ๐š•๐š˜๐š—๐š

๐™ต๐š˜๐š› ๐š’๐š ๐š’๐š— ๐š•๐š’๐šŸ๐š’๐š—๐š ๐š๐š‘๐šŽ๐š›๐šŽ ๐š ๐šŽ๐š›๐šŽ ๐šŠ๐š๐šŸ๐šŽ๐š›๐šœ๐šŠ๐š›๐š’๐šŽ๐šœ, ๐š๐š‘๐šŽ๐š— ๐š’๐š— ๐š๐š’๐šŸ๐š’๐š—๐š, ๐šŽ๐šŸ๐šŽ๐š›๐šข ๐š๐šŠ๐šž๐š•๐š๐šŽ๐š ๐š๐šŽ๐šœ๐š๐š’๐š—๐šข ๐šŒ๐š‘๐šŠ๐šœ๐šŽ๐š ๐š–๐šŽ ๐šŠ๐š›๐š˜๐šž๐š—๐š โ€ฆ.

๐™ฐ๐š—๐š ๐š˜๐š— ๐šŠ๐š—๐š ๐š˜๐š— ๐šŠ๐š—๐š ๐š˜๐š—ย ๐š๐š˜ ๐šœ๐š๐šŠ๐š—๐š, ๐šŒ๐šŠ๐š–๐šŽ ๐š๐š›๐šŽ๐šŠ๐š๐š’๐šŽ๐šœ ๐š๐š˜ ๐š–๐šŠ๐š”๐šŽ ๐š๐š‘๐šŽ๐š’๐š› ๐š๐š’๐š›๐šŽ๐š•๐šŽ๐šœ๐šœ ๐š›๐šž๐š—๐šœ

๐™พ๐š—๐š ๐šŠ๐š›๐š๐šœ ๐š๐š‘๐šŽ๐šข ๐š–๐š˜๐šŸ๐šŽ๐š ๐š ๐š’๐š๐š‘ ๐š–๐š’๐š›๐š๐š‘๐šœ ๐š๐š›๐š˜๐š ๐š’๐š—๐š, ๐š๐š›๐š˜๐š ๐š•๐š’๐š—๐š ๐š๐š˜ ๐š๐šŠ๐š”๐šŽ ๐š˜๐š— ๐š๐š‘๐šŽ๐š’๐š› ๐š๐š’๐š—๐šŠ๐š• ๐š๐š›๐š˜๐šž๐š—๐š ๐šƒ๐š‘๐šŽ๐š›๐šŽ๐š˜๐š ๐š’๐š ๐šŠ๐š•๐š• ๐šŠ๐š™๐š™๐šŽ๐šŠ๐š›๐šŽ๐š, ๐šœ๐š๐šŠ๐š–๐š™๐šŽ๐š ๐šŠ๐š—๐š ๐šœ๐šŽ๐šŠ๐š•๐šŽ๐š โ€”๐šŠ๐šœ ๐š’๐š โ€˜๐š๐š ๐šŠ๐šœ โ€œ๐šŠ๐š•๐š›๐šŽ๐šŠ๐š๐šข ๐š—๐š˜๐š›๐š–๐šŽ๐š.โ€

๐šƒ๐š˜ ๐š๐š‘๐šŠ๐š ,ย  ๐š†๐š‘๐š’๐š•๐šŽ ๐šŠ๐š‹๐š‘๐š˜๐š›๐š›๐š’๐š—๐š ๐š๐š‘๐šŽ ๐šœ๐šŽ๐š—๐šœ๐šŽ๐š•๐šŽ๐šœ๐šœ๐š—๐šŽ๐šœ๐šœย ๐š‘๐š˜๐š™๐šœ๐šŒ๐š˜๐š๐šŒ๐š‘๐š’๐š—๐š ๐š–๐šข ๐šœ๐š˜๐šž๐š•,

๐š’๐š ๐šŠ๐š•๐š• ๐šœ๐šŽ๐šŽ๐š–๐šŽ๐š ๐šŠ๐šœ ๐š๐š‘๐š˜๐šž๐š๐š‘ โ€”๐šœ๐š˜๐š–๐šŽ ๐šŽ๐šŸ๐š’๐š•๐š๐š˜๐šŽ๐š›โ€™๐šœ ๐š™๐šž๐š—

๐š‚๐š˜ ๐š–๐šž๐šŒ๐š‘ ๐šœ๐š˜ , ๐šž๐š—๐š๐š˜๐š›๐šŽ๐šœ๐šŽ๐šŽ๐š—, ๐šŠ๐š—๐š ๐š ๐š’๐š๐š‘ ๐šŠ๐š•๐š• ๐š๐š‘๐šŽ ๐šŽ๐šก๐š๐šŽ๐š—๐š๐šŽ๐š ๐šŽ๐š—๐šŸ๐š’๐šŽ๐šœ, ๐š๐š‘๐šŽ๐š›๐šŽ ๐šŒ๐šŠ๐š–๐šŽ ๐šŠ๐š—๐š˜๐š๐š‘๐šŽ๐š› ๐š๐š’๐šœ๐šŒ๐š˜๐š–๐š๐š˜๐š›๐š๐š’๐š—๐š ๐š๐šž๐š›๐š—

๐™ฐ๐š—๐š ๐š๐š˜๐š› ๐šŽ๐šŸ๐šŽ๐š›๐šข ๐š›๐šŽ๐š—๐šŽ๐š ๐š’๐š—๐š ย ๐š๐šŠ๐šข ๐šž๐š—๐š๐šŽ๐š› ๐š๐š‘๐šŽ ๐šœ๐šž๐š—ย ; ๐šŠ๐š—๐š ๐šž๐š—๐š๐š’๐š• ๐š’๐š ๐š ๐šŠ๐šœ ๐šŠ๐š•๐š• โ€”๐š๐š’๐š—๐šŠ๐š•๐š•๐šขโ€”๐šœ๐šŠ๐š’๐š ๐šŠ๐š—๐š ๐š๐š˜๐š—๐šŽ โ€”

๐™ฟ๐šŽ๐š›๐š‘๐šŠ๐š™๐šœ ๐š๐š‘๐šŽ๐š›๐šŽ, ๐š–๐šข ๐š†๐™ธ๐™ป๐™ป,ย ๐š๐š‘๐šŽ ๐š‹๐š›๐šŽ๐šŠ๐š ๐š— ๐š‹๐šž๐š๐š๐šŽ๐š› ๐š˜๐š ๐š–๐šข ๐šœ๐šž๐šœ๐š๐šŽ๐š—๐šŠ๐š—๐šŒ๐šŽ ,๐š”๐š’๐šŒ๐š”- ๐š‹๐šŠ๐š•๐š•๐šŽ๐š ๐š–๐šŽ ๐š๐š˜ ๐šŠ๐š—๐š˜๐š๐š‘๐šŽ๐š› ๐šœ๐š™๐šž๐š— โ€”๐šŠ ๐š™๐š˜๐š ๐šŽ๐š›๐š๐šž๐š• ๐š›๐šž๐š—!

๐š‚๐šŽ๐šŽ๐š–๐š’๐š—๐š๐š•๐šข ๐š๐šŽ๐š๐šŽ๐š›๐š–๐š’๐š—๐šŽ๐š, ๐š›๐šŽ๐šŸ๐š’๐š•๐š’๐š—๐š ๐š–๐šŽ ๐š’๐š—๐š๐š˜ ๐šš๐šž๐š’๐š๐šŽ ๐šŠ๐š—๐š˜๐š๐š‘๐šŽ๐š›; ๐š‹๐šž๐š ๐š’๐š— ๐šŠ๐šŒ๐š๐šž๐šŠ๐š•๐š’๐š๐šข, ๐™ธ ๐š ๐šŠ๐šœ ๐š•๐š’๐š๐šŽ๐š›๐šŠ๐š•๐š•๐šข ๐š˜๐šŸ๐šŽ๐š›๐š๐šž๐š›๐š—๐šŽ๐š

๐™ฒ๐šŽ๐š›๐š๐šŠ๐š’๐š—๐š•๐šข, ๐šƒ๐š‘๐šŠ๐š ๐š†๐™ธ๐™ป๐™ป โ€”๐š ๐š‘๐š’๐šŒ๐š‘ ๐š๐š›๐š’๐šŽ๐š ๐š ๐šŽ๐š•๐š•, ๐š๐š˜ ๐š๐š’๐šœ๐š๐š’๐š•๐š•ย ๐š–๐šข ๐š๐šŽ๐šŠ๐š๐š‘๐šœโ€™ ๐š–๐š˜๐šŒ๐š”๐š’๐š—๐š ๐š›๐šŽ๐š๐šž๐š›๐š—, ๐š–๐šž๐šŒ๐š‘ ๐š•๐š’๐š”๐šŽ as if ๐š•๐š’๐š๐šŽ ๐š’๐š๐šœ๐šŽ๐š•๐š o๐šž๐š๐š•๐š’๐šŸed ๐š’๐š๐šœ๐šŽ๐š•๐š to be ๐š•๐š˜๐šœ๐š ๐šŠ๐š—๐š ๐š๐š˜๐šž๐š—๐š โ€ฆ

๐šˆ๐šŽ๐šŠ๐š‘! ๐šƒ๐š‘๐šŠ๐š ๐š’๐š— ๐š ๐š‘๐š’๐šŒ๐š‘ ๐š ๐šŽ ๐šŽ๐šก๐š™๐šŽ๐šŒ๐š ๐š˜๐š—๐šŽ ๐š๐š‘๐š’๐š—๐š, ๐šŠ๐š•๐š๐š˜๐š๐šŽ๐š๐š‘๐šŽ๐š› ๐šŠ๐š—๐š˜๐š๐š‘๐šŽ๐š› ๐š๐šŽ๐š๐šœ ๐š™๐šž๐šœ๐š‘๐šŽ๐š ๐šŠ๐š›๐š˜๐šž๐š—๐š

๐š†๐š‘๐šขโ€”๐š›๐šŽ๐š๐šŽ๐šŽ๐š–๐š’๐š—๐š ๐šž๐šœ, ๐™พ!ย ๐™ป๐š˜๐š›๐š, ๐šœ๐šž๐šŒ๐š‘ ๐šŠ ๐š†๐™ธ๐š‚๐™ด ๐š›๐šž๐šœ๐š‘๐šŽ๐šœ ๐š˜๐š—?ย 

๐™พ๐š ๐š ๐š‘๐šŠ๐š ๐š ๐š˜๐š›๐š๐š‘ ๐š’๐šœ ๐š๐š‘๐š’๐šœ ๐š‹๐šŠ๐š›๐š๐šŽ๐š› ๐š ๐š‘๐šŽ๐š— ๐š‘๐šŽ๐šŠ๐šŸ๐šŽ๐š—โ€™๐šœ ๐š๐š•๐š˜๐š›๐šขโ€” ๐™ฟ๐šŠ๐šข๐šœ ๐šŠ ๐š‘๐šŽ๐šŠ๐šŸ๐šข ๐š™๐š›๐š’๐šŒ๐šŽ ๐š๐š˜ ๐šŽ๐šŸ๐šŽ๐š›๐šข ๐™พ๐šž๐š—๐šŒ๐šŽย 

๐™ธ๐šœ ๐š๐š‘๐š’๐šœ ๐š•๐š’๐š๐šŽ ?ย 

๐šˆ๐šŽ๐šœ, ย ๐š’๐šโ€™๐šœ ๐š๐š‘๐š’๐šœ โ€”๐šœ๐š ๐šŽ๐šŽ๐š ๐š•๐š’๐š๐šŽ, ๐š ๐š’๐š๐š‘ ๐š’๐šโ€™๐šœ ๐š›๐šŽ๐š—๐šŽ๐š ๐šŽ๐š ๐š’๐š—๐š๐šŽ๐š—๐šœ๐š’๐š๐šข, ๐š“๐šž๐šœ๐š ๐š›๐šŽ๐š—๐šŽ๐š ๐šœ ๐š’๐š๐šœ๐šŽ๐š•๐š ๐š‹๐šŠ๐šŒ๐š” ๐š๐š˜ ๐š™๐š˜๐šž๐š—๐šŒ๐šŽย 

๐š‚๐šŒ๐šŠ๐š๐š๐šŽ๐š›๐šŽ๐š ๐šž๐š—๐šœ๐š‘๐šŽ๐šŠ๐š๐š‘๐šŽ๐š ๐š๐š˜ ๐šŽ๐šŸ๐šŽ๐š›๐šข ๐šœ๐šŽ๐š›๐šŸ๐š’๐šŒ๐šŽ ๐š˜๐š ๐š๐š‘๐šŽ ๐š‘๐šŽ๐šŠ๐š›๐š, ๐šŠ๐š—๐š ๐š๐š˜ ๐šŽ๐šŸ๐šŽ๐š›๐šข ๐š–๐š’๐š—๐š ๐š๐š˜๐š’๐š•๐š’๐š—๐š ๐š‘๐šŠ๐š›๐š; ๐š’๐š— ๐š›๐šŽ๐šŒ๐šž๐š›๐š›๐š’๐š—๐š ๐š›๐šŽ๐šœ๐šŽ๐š๐šœ ๐šŠ๐šœ ๐š๐š’๐š–๐šŽ ๐š›๐šŽ๐š–๐šŠ๐š’๐š—๐šœ ๐š’๐š— ๐š๐š’๐š–๐šŽ, ๐š๐š˜๐š๐šŠ๐š•๐š•๐šข ๐š›๐šŽ๐š ๐š˜๐šž๐š—๐šโ€ฆ ๐šƒ๐š’๐š–๐šŽ ๐š‹๐š˜๐šž๐š—๐š ?!

๐™ฐ๐š—๐š ๐š๐š‘๐šŽ๐š—, ๐šŠ ๐š•๐š’๐š๐š‘๐š ๐šŽ๐š–๐šŽ๐š›๐š๐šŽ๐šœ ๐š™๐š’๐šŽ๐š›๐šŒ๐š’๐š—๐š ๐šœ๐š‘๐šŠ๐š๐š˜๐š ๐šœ ๐š๐š˜ ๐š‹๐šŽ ๐š๐š˜๐šž๐š—๐š; ๐šš๐šž๐š’๐šŒ๐š”๐š•๐šข ๐š›๐š’๐šœ๐šŽ๐š— ๐š๐š˜ ๐šŠ๐šœ๐šŒ๐šŽ๐š—๐š ๐šŠ๐š—๐š ๐š๐šŠ๐š—๐šŒ๐šŽ,

๐™พ๐šž๐š ๐š๐š‘๐šŽ๐š›๐šŽ ๐šŠ๐šœ ๐š’๐š ๐š๐šž๐š•๐š•๐šข ๐š๐š›๐šŠ๐š—๐šŒ๐šŽ๐š...

๐™ธ๐š— ๐š’๐š๐šœ ๐šœ๐š‘๐šŽ๐šŽ๐š›ย ๐šŽ๐šŸ๐šŠ๐š—๐šŽ๐šœ๐šŒ๐šŽ๐š—๐šŒ๐šŽ, ๐š’๐š ๐š๐šŽ๐š๐šœ ๐šž๐š™, ๐š๐š›๐šŽ๐šœ๐šœ๐šŽ๐šœ ๐šž๐š™, ๐š๐š˜๐š› ๐šข๐šŽ๐š ๐šŠ๐š—๐š˜๐š๐š‘๐šŽ๐š› โ€”๐š—๐šŠ๐š”๐šŽ๐š ๐š๐š›๐šž๐š๐š‘ ๐š๐š˜ ๐š‹๐šŽ ๐š›๐šŽ๐š‹๐š˜๐š›๐š— ย 

๐šˆ๐šŽ๐šœ , ๐šŽ๐š›๐šŠ๐šœ๐š’๐š—๐š ๐š๐š‘๐š’๐šœ ๐šŽ๐šก๐š’๐šœ๐š๐šŽ๐š—๐šŒ๐šŽ ๐š ๐š‘๐š’๐šŒ๐š‘ ๐š–๐šŠ๐š”๐šŽ๐šœ ๐š’๐šโ€™๐šœ ๐š๐šŠ๐š•๐šœ๐šŽ ๐šŒ๐š•๐šŠ๐š’๐š–๐šœ, ๐šŠ๐š—๐š ๐š๐š‘๐šŽ๐š›๐šŽ๐šž๐š™๐š˜๐š—, ๐™ธ ๐šœ๐š‘๐šŠ๐š•๐š• ๐š‹๐šŽ ๐š—๐šŽ๐š ๐š•๐šข ๐™ฑ๐™พ๐š๐™ฝ ....

๐™ฟ๐š•๐šž๐šŒ๐š”๐šŽ๐š ๐š๐š›๐š˜๐š– ๐šŠ ๐šŒ๐š˜๐š—๐šœ๐šŽ๐šš๐šž๐šŽ๐š—๐šŒ๐šŽ ๐šŠ๐šœ ๐™ธ ๐š ๐šŠ๐š•๐š” ๐š๐š‘๐š›๐š˜๐šž๐š๐š‘ ๐š๐š‘๐š˜๐šœ๐šŽ ๐šŽ๐š๐šŽ๐š›๐š—๐šŠ๐š• ๐š™๐šŠ๐š๐š‘๐šœ, ๐šš๐šž๐š’๐š๐šŽ ๐šž๐š—๐š‹๐š˜๐šž๐š—๐š

๐šˆ๐šŽ๐šœ, ๐š๐šŠ๐š’๐š•๐š’๐š—๐š ๐š๐š˜ ๐š๐šŽ๐š๐šŒ๐š‘ ๐š–๐šŽ ๐šŠ๐š ๐š๐š’๐š›๐šœ๐š ,๐š–๐šข ๐š–๐šŠ๐š”๐šŽ๐š›, ๐š”๐šŽ๐šŽ๐š™๐šœ ๐š–๐šŽ , ๐š๐š‘๐šž๐šœ๐š•๐šข, ๐šœ๐š™๐šŽ๐š•๐š•๐š‹๐š˜๐šž๐š—๐š!

๐šˆ๐šŽ๐š ๐š๐š‘๐š’๐šœ ๐š“๐š˜๐šž๐š›๐š—๐šŽ๐šข ๐š ๐š‘๐š’๐šŒ๐š‘ ๐š’๐š—๐šŸ๐šŠ๐š›๐š’๐šŠ๐š‹๐š•๐šข ๐šŠ๐šŒ๐šŒ๐š˜๐š–๐š™๐šŠ๐š—๐š’๐šŽ๐šœ ๐š–๐šŽ ๐š๐š›๐š˜๐š– ๐š‹๐š’๐š›๐š๐š‘ ๐š๐š˜ ๐š›๐šŽ๐š‹๐š’๐š›๐š๐š‘, ๐šŠ๐š๐š๐š’๐š›๐š–๐šœ ๐š๐š˜ ๐šœ๐šŠ๐šข โ€”ย  ๐™ฒ๐š˜๐š–๐šŽ, ๐šœ๐š•๐š’๐š๐šŽ ๐šŠ๐š—๐š ๐š™๐šŠ๐šœ๐šœ ๐š˜๐š— ๐šž๐š—๐š๐š’๐š• ๐šŠ๐š•๐š• ๐šœ๐š๐šŠ๐š๐šŽ๐šœ ๐šŠ๐š›๐šŽ ๐š˜๐šŸ๐šŽ๐š› ๐šŠ๐š—๐š ๐šข๐š˜๐šž๐š› ๐š™๐š’๐š๐š‘๐šข ๐š ๐š˜๐š›๐š” ๐š’๐šœ ๐šŠ๐š•๐š• ๐š๐š˜๐š—๐šŽ โ€”๐šž๐š—๐š๐š’๐š• ๐š๐š‘๐šŽ๐š—, ๐šŒ๐šŠ๐š›๐š›๐šข ๐š˜๐š—!

ยฉ โœ๏ธ ๐™ผ๐šŠ๐š๐š‘๐šž ๐™ถ๐š˜๐š๐šŽ๐š๐š’ ๐™ผ๐šŠ๐š›๐šŒ๐š‘ ๐Ÿธ๐Ÿฝ๐š๐š‘ , ๐Ÿธ0๐Ÿธ๐Ÿป

Preceding poem is a choice model of my poetry, to which, I shall add my introspective analysis ( my two cent โ€”point of view)

I undertook the endeavor of scribing poetry to make myself familiar with my own thoughts and also aid the readers to equally fit into its meaning as it occurred to them.

I am of the firm belief that many matters when versed aright, can assist in providing pathways of communication; without losing what is being said as precious leavings. If you notice intently I have abstained from period building โ€”that is, presenting a single idea without full stops. Thatโ€™s because I felt that the unity of thought required me to use semicolon and colons to piece in what I was thinking.

While composing this poem the object of attention(life) appeared naturally, but it was also suitably written to the clear ideas thus acquired. Obviously, the words and phrases related in such a sense were discharged with what they served to show in effectโ€”โ€œbringing life back to life. โ€œ

In this poem words as expressive thoughts have conveyed multifarious ideas and many meanings. Some words analogously paralleled each other in the following words such as : topsy turvey, untenable breaches. They adduced a bondage that developed as a reasoning ,no doubt, for the preservation of why I was looking at โ€œfate,โ€ with such a concern. I used many figures of thought as ornaments to orchestrate and impart special expressions. For example:

O! Look! ย 

A subdued pang , a dead beat to an impulse, still lingers onย 

And ,as of , in cut-throat melancholy, none the worse, to that : I was found!

Herein โ˜๏ธ I tried to throw a towel over the hideousness with which many stately administrators could govern their people by creating circumstances wherein the

surest of us all could feel nothing more than nincompoops. One such thing could be the recent political upheavals around the globe that depicts: vehemence of various injustices , peace without securities, and wars without definite Allies.

While reading the poem the reader might feel aroused to what might come next.

To me, naked thoughts when properly dressed becomes poetry.

My poem bestows the requisite rhetoric to make deeper courtesies to the significant thoughts that emerge in my mind.

Muse is meant to be more than a superficial scrimmage over sense and sensibilities. This is the chief reason I preferred to use a free verseโ€”as my poetic form of expression. The marvel of uncommon strikings of imagery (through words,) is,indeed, glorious.

Herein, the prosaic effort lifts itself through its own imagined suffering.

An inflexible mind might reject such a suffused expression as some askewed structure or form.

Meaning can be lost in structure unless the eye speaks to an ear effectively. Also, if the heart insists on putting its own meaning upon first inspections, then the reader may embark upon a dangerous crusade to where words could ring a different tone.

The poem selected as a precept of expression reflects the following:

Cohorts of present participles ( โ€œingโ€forms of verbs) are conjoined with other alongside actionable subordinating verbs.

This method may seem to be projecting appalling directness but by no means intends to be unusually absurd.

The poem projects surrealistic nostalgia that may not appeal with a good many readers.

Little pieces build together with phrases and clauses, both buried hand in hand, can seem like stand alone entities, yet such an unmade fashion upends the truest essence of a soulful exposition.

Rhyme and Rhythm: The scheme is proportionate yet it

seems to be moving, up and down all over around, with a sudden impulsiveness ,as though, abruptly holding moldy secrets . That may well be seem like errors renouncing on grave mistakes with meanings suspended from the beginning to the end. In that sense the whole piece could feel enigmatic. The poem stands without glory, possibly at the verge of imagined melancholy. With that said, I have risked every ray of light; in great aims , thoroughly. But, in small, my earnestness reveals an invincible resolution to bear โ€œ awe,โ€ as the most unfaltering practice.

I speak meaningfully to the phrases that reflect some originality. Talk about conjunctions periods commas and colons โ€ฆ.

The melancholic ๐Ÿ˜ž emotion may not be relatable to the immediate effect of observationโ€ฆ

A Lot of abstraction breaks convention, though. But beyond whatโ€™s being portrayed, thereโ€™s something else that stands within reach โ€”the unifying theme of the versificationโ€ฆ. Thereโ€™s a positive ending

Soliloquy Synopsis ย :

Itโ€™s shadowy and allegoric .. somewhat , a more generalized abstraction of life . There is, again , a confession that is very shocking; itโ€™s mainly about the causes of the dubieties that have worked into my life โ€”all along.ย 

Perhaps , it exhibits the extreme sentiments ,and sketches out a cloudy illusion of events and incidents in a ย peculiar kind of way.

Towards the end of the poem, it dashes into a unifying theme of how fate and fortune lead us into a transcendence which is timelessly eternal . Not else where achieved , it bothers and teases the way life probably cheats .ย 

The poem captures the brooding spirit thatย courageously seeks hope,

and it also delineates a double attempt to exhibit the contrasting parallels of joys and sorrows, failures and successes which cudgel as elements in shaping life.

In a steady sense, this poem ingenuously ย summoned me to dig deep โ€”apparently, upon lifeโ€™s incidental contexts.ย 

The description speaks up commandingly without a hitch!ย 

... And the rest thatโ€™s unsaid could be left to those who beseech their own form through this offering. I hope this goes along in giving the reader a sense of connection to follow theirย own โ€”truth reveals.

In short and at length, throughput, I had depicted life as deceptive and presented material that makes us look like a motley fool while handling deceit.

And the spice of injustice which quite certainly reveals in the end turns out to be quite ironic... as if, echoingโ€”What is alive is seldom truly perfect. And to attain perfection one must dig graves or write epitaphs to understand the good in the good and bad in the bad.

Smooth sweltering velvety experience expressed smoothly

Such scavenging unearths the smooth deficiencies constituting the makings of destinies, and in one sense of the subject โ€”reveals and amounts to this:

Life comes with no warrants of excise and no guarantees of analysis as โ€”it is wholly surprising. It exists in the inter-twists of an extraordinarily different form of amalgam which represents this legitโ€™ย premise :ย 

Whatโ€™s construed as a cognitive enterprise is actually an adjudication of perspective to life!

All experiences that life bestows upon us as teachings may or may not assist us in achieving itโ€™s full intents.

For Good or for bad , andย for better or worse, someย instances, seemingly alter the very essence of our presence;ย of living as a โ€œbeing,โ€ in itself.ย 

Signing off as :

A rhymester with an authentic risible view โ€” call me a dallier dilettante or a librettist ! MG

Poetry

About the Creator

Madhu Goteti

The thrums in the strums and the delights in the humdrum of life have always fascinated me.

Itโ€™s that feast of reason and flow of soul; in all that I see and all that I shall behold!

I am an avid lover of art and philosophy!

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